An Introduction to Felt in 10 Records
August 1st, 2018 | by Martin Aston
Felt – a unique, enigamtic, beguiling treasure – and the subvject of a lavish vinyl / CD reissue of their
August 1st, 2018 | by Martin Aston
Felt – a unique, enigamtic, beguiling treasure – and the subvject of a lavish vinyl / CD reissue of their
August 1st, 2018 | by Martin Aston
My first piece for Bandcamp Daily – the “No-Boundaries Experimental Pop” of Norwich duo Let’s Eat Grandma Now on their second
August 1st, 2018 | by Martin Aston
To celebrate the vinyl reissue of the punk-post-punk pioneers’ s first three albums Pink Flag, Chairs Missing and 154, I
October 2nd, 2017 | by Martin Aston
Timed with Beck’s new album Colors, I wrote this for The Vinyl Factory
September 23rd, 2017 | by Martin Aston
On the 35th anniversary of their first record, Garlands, I got the chance again to wax (and wane) lyrical about
July 26th, 2017 | by Martin Aston
Timed with the 2017 Proms performance of Scott Walker’s peerless 1967-70 canon of songs,. I have written an introduction to
June 29th, 2017 | by Martin Aston
I reckon that Big Star are the greatest guitar band of all time, and I got the chance again to
June 9th, 2017 | by Martin Aston
The Record Store Day triple vinyl release of Iggy Pop’s Post Pop Depression – Live at the Royal Albert Hall has
March 22nd, 2017 | by Martin Aston
Chris Hewitt’s new book, Martin Hannett: His Equipment And Strawberry Studios, has inspired a ten-record introduction to one of the
March 13th, 2017 | by Martin Aston
On its 50th anniversary, I’ve gone track-by-track to argue that The Velvet Underground & Nico is the most influential rock album